middle-click sets sliders to default value, similarly to double-click improved GUI responsiveness on MacOS with Retina displays reduced noise when manipulating the filter reduced CPU usage (around -20% with 44.1/48kHz sample rate) MacOS sporadic registration failure should now be solved MacOS sporadic repetitive validation of the AU plugin introduced in fixed potential stereo latency shift when manipulating the fader, removed remaining noises that were still audible when manipulating the Smallest possible increment (eg 0.1 for tune in fine mode) Windows only: ctrl+wheel now controls faders and knobs based on the a default startup configuration can now be set and recalled in the The following is the content of the changelog.txt file distributed with the plugin. Please check the SP950 effect plugin support section. If you have any doubt regarding compatibility with your system and DAW do not hesitate to contact us. The side component of the stereo signal is processed while the mid one stays untouched The mid component of the stereo signal is processed while the side one stays untouched The right component of the stereo signal is processed while the left one stays untouched The left component of the stereo signal is processed while the right one stays untouched Only the right component of the stereo signal is kept and processed Only the left component of the stereo signal is kept and processed Left and right components of the stereo signal are summed and processed In addition to dry/wet and bypass functions, a layout selection menu let you define the way the input signal is converted and processed, to wit: The routing section located in the plugin's header operates on the signal flow. Link switch maintains a constant total gain when modifying gain in or gain out, within the constrained range of each knob Please note: actual pitch remains unchanged. The result is a constant duration and pitch output, with varying detune aliasing and bandwidth artifacts. This is exactly the behavior the SP950 effect plugin intends to reproduce in a single slider: the RPM/detune slider combines the pitch of the source (markings on the left side, in RPM relative to 33 and in factors) with the internal detune (semitons value on the LCD), compensating each other. This was initially done to save sampling time, but the resulting artifacts soon became the signature of the device, and of whole musical trend. If you are familiar with the E-mu SP-1200* workflow, you know the way the device is typically used is with a pitched-up source such as a turntable playing a LP record at 45RPM or 78RPM, and a detune after sampling in the SP-1200* to get back to the original pitch and duration. The 6th order low-pass filter also bring its recognizable character to the mix. Gritty sound with mandatory aliasing artifacts. Accurate reproduction of the famous 12-bit 26.04kHz ADC, DAC process, and distinctive detune process.
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